Mega Blowout Sale

"For any art rock band, the fourth album means it's time for a self-styled masterpiece -- if you need proof, look at Selling England by the Pound or Fragile.
So, with Kansas, the most determinedly arty of all American art rock bands, they composed and recorded Leftoverture, an impenetrable conundrum of significance that's capped off by nothing less than a five-part suite, appropriately titled "Magnum Opus," and featuring such promising movement titles as "Father Padilla Meets the Perfect Gnat" and...

"The third album by Kansas, was originally released in 1975, along with their second, Song For America. This is one of their most progressive rock albums and also features pretty dark lyrical content. Their unique blend of pure, complex progressive....

This was the band's last 70s album and contains the classic line-up of the group, not for the last time, but one of the last times.


The second album by Kansas, originally released in 1975. This is probably their most 'progressive rock album', with the long Incomudro (also found on the Proto-Kaw album) one of the highlights. Their unique blend of pure, complex progressive rock and A...

"Paul Kantner's debut solo album actually was credited to "Paul Kantner/Jefferson Starship," the first use of the "Starship" billing, predating the formation of the group with that name by four years. Kantner used it, extrapolating on the name of his...

"As lead guitarist for late '60s US psychedelic visionaries Spirit, Randy California needs no introduction to serious rock fans. This tremendous live set was recorded for the LA radio station KPFK in September 1972 -- the same month his wild solo debut, Kapt. Kopter and The (Fabulous) Twirly Birds, appeared -- and also features Larry "Fuzzy" Knight on bass and Spirit's legendary Ed Cassidy on drums. It captures them in blistering form on several cuts from that album, and features rare and wild....

"Quah -- Jorma Kaukonen's (guitar/vocal) solo debut effort -- was recorded and issued shortly after the dissolution of Jefferson Airplane in 1974. In contrast to the sonic indulgences of Grace Slick's Manhole or Paul Kantner and Jefferson Starship's Blows Against the Empire, Kaukonen retreated back to his folk-blues roots along with vocalist Tom Hobson -- who contributes to "Blue Prelude" and "Sweet Hawaiian Sunshine" -- to create this intricate acoustic masterwork. From the highly original artwork...

“Hypnotic guitar playing swirls throughout this superbly melancholic folk rock LP, privately issued in ‘76 alongside Crooked Oaks debut.
Brilliant songs that edge towards Roy Harper. Dave Keir provides the sleeve notes. the LP is characterised by stunning, exquisite finger picked guitar of the highest order, the compositions are deep, dark and magical, infused with a sense of sorrow.”

"Recorded and released after a two-year stint in Europe, Until marks alto saxophonist Robin Kenyatta's American debut as a leader, after sideman tenures with Sonny Stitt, Bill Dixon, and Archie Shepp. For anyone (of the few) who followed the rather obscure reedman's career, this set -- originally released on the Atlantic jazz subsidiary Vortex and produced by Joel Dorn -- is indicative of the restless nature of Kenyatta's career on his own records: he was not only interested in, but attempted to play...

Kerygmatic Project was born in 1998, created by Samuele Tadini, Danilo Nobili and Marco Campagnolo, with the purpose of composing original music that recover in style and construction the great British progressive rock tradition of the seventies and eighties, renewed tradition with a new key able to embrace different styles, so as to constitute an original sound well recognizable. The Kerygmatic Project compositions are affected, in fact, from the contributions of various genres taken by rock, pop, jazz...

“Static is Dave Kerzner's follow-up studio solo album to his acclaimed debut New World. It's a progressive rock opera about the distractions, chaos and clutter in everyday life and about navigating past this static interference in our heads toward clarity and happiness. The album also features: Steve Hackett (Genesis), Fernando Perdomo (Jakob Dylan), Nick D'Virgilio (Big Big Train), Derek Cintron (Brothers of Others), Randy McStine (The Fringe), Matt Dorsey (Sound of Contact), Durga and Lorelei McBroom...

“Excellent 1976 private press acoustic album, self-recorded at various places in Colorado, and filled with beautiful finger style acoustic guitar, plus some atonal bottleneck slide, string scrapes and drones (at times, very Ry Cooder / “Paris, Texas” about six years before that soundtrack existed). Although almost completely instrumental, what lyrics there are tend towards the dark and the satiric. The obvious points of comparison are John Fahey and Leo Kottke, although Scott Key certainly has his own...

“Sixteen choice garage/surf tracks from the Keymen, the premier band in the Las Cruces, NM area in the mid 1960’s. This collection amasses their earliest surf instrumentals — all previously unreleased — plus their hard to find single. Also included are the juiciest cuts from their 1968 live album, “The Keymen Live.” Energetic music, meant to be played loud.
1-8 recorded 1965, previously unissued; 9-10 released in 1967 as Goldust #5019; 11-12 previously unissued; 13-16 released in 1968 on The Keymen...

While they last! Just 5 copies in stock at 1/3rd off!!

This reissues on DVD two previously released shows that were only released on video tape in the 1980's. This has the 80's version of KC (Robert Fripp, Bill Bruford, Tony Levin and Adrian Belew) recorded live in France, 1982 ("The Noise") and Japan, 1984 ("Three Of A Perfect Pair"). The Frejus show is especially hot and notable!

“Always masters of the unexpected, King Gizzard & The Lizard Wizard have surpassed themselves with Polygonwanaland, the 4th of five albums they are releasing in 2017. The music has a prog/hippy sound, if you like Ozric Tentacles or the Orb you too may love it.”

“KGLW branch out from their Syd Barrett whimsy meets Garage Rock beginnings, the continuous flow of the music instantly identifiable and a joy to behold where lysergic Pop, trippy Psychedelia, Middle Eastern vibes, Motorik synth &...

"In the early 1970s, B.B. King was basking in the glow of crossover success, with his brand of soulful blues reaching all audiences, not just African-American ones. In this 75-minute radio broadcast from October 1, 1972, his stinging guitar runs through a mix of old and new classics, from his mid-'50s R&B hit "Everyday I Have the Blues" to Leon Russell's "Hummingbird." Other highlights include the standard "Rock Me Baby" and his biggest hit, "The Thrill Is Gone." It's presented here in its entirety, with...

So, I am in the middle of reading John French's book about the Magic Band ("Through the Eyes of Magic") and one of the things it is giving me an appreciation of is the guitarwork of the original two guitarists in the Magic Band, Doug Moon & especially...

“Stunning second album from this eclectic Dutch progressive band. Kingfisher Sky is masterminded by the husband and wife team of Ivar de Graaf (drums) and Judith Rijnveld (vocals). The band's lineup has changed a bit since Hallway Of Dreams but the...

“Norway’s Kings of the Valley plays music characterized by intense guitar riffs, melodic bass, pulsating drums and vocal harmonies. The band’s expression has strong common features with seventies rock, psychedelic rock, good old prog rock and stylish stoner rock. For fans of Motorpsycho, early King Crimson and Yawning Man.”

Roland Kirk – saxes
Andrew Hill – piano
Vernon Martin – bass
Clifford Jarvis – drums

RRK in excellent sound (and with Andrew Hill!) in his early prime!

“Rahsaan Roland Kirk, live from the Newport Jazz Festival, Newport Freebody Park, RI July 8th 1962. When the Newport Jazz Festival returned after succumbing to the previous year's riots of 1961, there was another important announcement to make: the "Discovery of the Year" would be on the bill - Rahsaan Roland Kirk! Together..

Disc 1: Tscechoslowakisches Jazz Festival, Prague, Czechoslovakia, October 19, 1967
Disc 2: Messuhalli, Helsinki, Finland, October 6 1964

“There are two concerts here, one full set in Prague and a shorter possibly incomplete one from Helsinki as a bonus disc. Both are from radio broadcasts and the quality is good for Prague, slightly more fuzzy for Helsinki. The Helsinki disc has Kirk's working group of the time and covers a pop song, standards, Ellington and Coltrane compositions plus his...

Possibly England's greatest accordionist, this is a completely solo album. No tricks, no studio work. Just a man and his various squeezeboxes.

"In 1988 John Kirkpatrick recorded this solo album. It is an amazing album with the predictable talent of performance. There is a lovely atmosphere and mood on this album.
There are some great song choices here. All the tracks are Traditional except for a piece from Sue Harris, and three from Sally Turner. All of course arranged by Kirkpatrick...

“Kleistwahr is the solo project of Gary Mundy of Ramleh. Kleistwahr's origins stretch back to the early years of Broken Flag and in recent years it has become his outlet for more personal recordings that don't fit the group dynamic. 'Bleak psychedelia' is the term most often used to describe Ramleh and it's one that kinda still fits here. Noise may be the focus of the electronic Ramleh, but it is their "rock" formation which provides them with the conduit to express their thoughts and feelings in their...

Tortoise, as stated below, is a good indicator of what they do, as is Jaga Jazzist (in a smaller format), The Kandinsky Effect or even Led Bib at their least frantic. Good stuff.

“Experimental ensemble Kneebody emerged in the early 2000s with a progressive, jazz-based sound that also touched upon rock, funk, and electronic-influenced music. Although each member of Kneebody is an adept jazz improviser, they often take a compositional, group-oriented approach to their music and albums. 2008's Low...

"Hyperdrive marks a new era for Knight Area. The long running Dutch progressive rock band had previously released four studio albums and toured Europe and USA extensively, performing at all major prog rock festivals. In 2012 the band welcomed...

"Saxophone maestro Jonas Knutsson and the keyboard genius Mats Öberg (Mats/Morgan) have played together since childhood and know each other inside out. On this album we have captured them in a wonderful concert in Stockholm, February 2008."

Says Jonas: "On a summer's day in 1981 I met Mats Oberg for the first time. I was 16 and did a recording for the local radio station in our home town Umea with Mats' cousin. He was 10 years old and when I asked him how he liked the music he said: Fine but E5..

"Performed by the Macedonian Symphony Orchestra with Balkan electro legend Kiril Dzajkovski, Chris Cutler (percussion), Nikola Kodjbashia (prepared piano), Patric Driver and Valere Novarina (readers). Text fragments are by Heiner Muller and Valere...

"The award-winning Macedonian composer, Nikola Kodjabashia, is best known for his classical works, having studied extensively with Anatol Vieru (himself a student of Khachaturian and Shostakovich). But over the past few years Kodjabashia has succesfully integrated a modernist approach into his musical agenda, venturing away from the purely academic curriculum of a standard, classical repetoire, and has become a noteworthy proponent of contemporary ideas.
Reveries Of The Solitary Walker is an oddly...

“From its surreal title and occult cover art to its grand buffet of vintage sounds and period production moves, Sam Kogon’s Psychic Tears is a lavish, painstakingly detailed work of modern-retro guitar pop. But what distinguishes the Brooklyn artist from the psychedelic pop herd is not his access to Mellotrons, Vox Continentals, and Russian fuzz boxes. It is Kogon’s vast and fluid command of chamber pop harmony and arrangement. It’s his long-arc melodic genius and his sweet, understated crooning—the real...

“Kokoko! consists of enigmatic vocalist Makara Bianko and instrumentalists Dido Oweke, Boms Bomolo, and Love Lokombe, a trio of scrappy, inventive players who grew up together in the city's Ngwaka neighborhood.
Lacking the money and resources to acquire proper instruments, the three friends began inventing their own unique noisemakers out of whatever was available. Single-string guitars were cobbled out of spare wood and tin cans, a vocal talk-box was wired out of an old cassette player, and...

"The soundtrack to the 1962 motion picture directed by Roman Polanski. The music was written by the brilliant young Polish composer and pianist Krzysztof Komeda. It is arguably one of the most effective scores in cinema history; understated jazz that compliments the picture's sharp monochrome cinematography and the tense minimalism of the script and brings to the film another emotional dimension.
Also included here are two pieces composed and performed by Komeda for "Two Men And A Wardrobe" and...

"On the Thirteenth of October of 1927 one of the great geniuses of jazz, was born. Now over 90 years (!!!!!!!) Konitz releases his first album with Impulse.
A wonder, a bliss, with a rhythmic basis of scandal, Kenny Barron on piano, Peter Washington on bass and Kenny Washington on drums. A dream.
He not only sounds good but also sounds cool and different, he even sings ... Genius and figure to the end. What can be said, only that it is a total and complete wonder."-Manuel Grosso Galvan

"All I can say is that sometimes when you have anticipated something for a long time you can become afraid that it can't possibly live up to your built up expectations. No fear this time. The lost album is indescribable. What a treasure to hear Kooper and Bloomfield together again! After wearing out copies of Super Session and Super Session live on Vinyl, 8 track, cassette, and CD, to actually hear this new material was like the closest thing to time travel that I expect to ever get...

Excellent contemporary Mali / Afro-beat sounds!

“Ba Power, Bassekou Kouyate & Ngoni Ba's fourth album is a striking, career-defining record marked by mesmerizing songs, razor-sharp riffs, and full-throttle emotions. Following two years of worldwide touring for the much-heralded Jama Ko, Bassekou's band, Ngoni Ba, has turned up the volume and dynamics significantly and Bassekou's masterful ngoni playing has achieved a new level of intensity that can only be called: Afro-rock.
Distortion and...

We did a deep dig into the lost warehouse to come up with these; they are new and unplayed, but they’ve been sitting for over 30 years and there may be small corner dings, seam splits from travel, etc etc.
These are the original issues on Points East, which was ReR’s pre-CD vinyl label ‘dedicated solely to new music from Central Europe’.

“Deep, eternally haunted compositions, rising like ghosts from the decaying earth, circulating like brittle leaves in the contaminated air.”-rym

“Boris Kovacs was born in Vojvodina, the multi-ethnic region of what was then Yugoslavia. He studied accordion and saxophone, going on to teach himself many other instruments. On this record he plays mainly soprano saxophone, leaving Jasna Jovisevic to take alto and bassclarinet. Like pianist Slobodank Stevic, she was classically trained, as was bassist Sinisa Mazalica. The drummer, Boris' son Lav Kovac, is celebrated for his very different playing in Howling Owl and with a variety of eastern bands...

“Obscure, and often ridiculed during his lifetime, Erik Satie, the most unusual protagonist of the early 20th century French avant-garde, has transcended cult status and is now a composer whose modernity is at last appreciated.
Satie's inimitable, bare and serenely objective music was largely neglected until the eclectic 1960s and '70s when such pioneering figures as John Cage, who was enthralled by the composer's desire to tear up the rule-book, to embrace the absurd and the surreal, and to blend...

“Israeli singer Shmulik Kraus wrote a classic of psychedelic rock while sitting in a jail cell in the 1970s. His album deserves another listen.

In March of 1971, an otherwise mild-mannered 36-year-old songwriter named Shmulik Kraus, holding a Kalashnikov in one hand and a sniper’s rifle in the other, faced down a group of Israeli soldiers who had come to kick him off his land. Standing in front of the small building he had built on a plot near Nebi Samwil, just north of Jerusalem, Kraus argued...

"Newly remastered audio. Includes rare archive photos and liner note Q&A with Krog. The work of Karin Krog may be unfamiliar to much of the world, but in her native Norway and Scandinavia at large, she's practically a household name. This says much about the local enthusiasm for post-bop jazz but also about the tyranny of distribution: until 1994, Krog's albums weren't available in the USA or UK, meaning three decades of recordings were waiting to be discovered.
With this anthology of her best...

Mario Marolt: sax #3, #5, #10, #12
Nino De Gleria: bass #4
Hugo Sekoranja: piano #11
Mire Lovric: vocal #14
Borut Krzisnik: guitar, piano, sampler, rhythm machine, tape, noise
Anton Kovac: bass #13, rhythm machine #15

“Borut Krzisnik is a Slovenian composer of contemporary music, based in Ljubljana. With his unique way of composing, he integrates live playing and music software on computer platform, and breaks free from confines of specific methodology.
Currents

Tim Hodgkinson-Steel Guitar [Lap], Clarinet, Bass Clarinet, Clarinet [Klarnet], Alto Saxophone, Sounds [Sound Manipulation], Voice, Tüngür [Dungur], Percussion, Ocarina
Ken Hyder-Percussion, Percussion [Drum Kit], Tüngür [Dungur], Voice, Ektare [Ektara, Bass Ektara], Sounds [Sound Manipulation]
Gendos Chamzyryn-Voice, Tüngür [Dungur], Percussion, Doshpuluur, Cello, Performer [Chadagan, Khomous], Ocarina

“The one album, I'd say, that deserves a perfect score on concept alone.
Why..

“Sleepy LaBeef is a giant of a man, with a booming baritone voice and a deep, rumbling guitar tone to match his size, and his live shows are legendary, non-stop country rockabilly romps, full of good-humored energy. The recordings he did for a reconstituted Sun Records in the 1970s, the best of which are collected here, come as close as we're likely to get to capturing the hurricane force and feel of one of his shows. Track after track catches fire and roars off, and there are plenty of highlights here...

“Something of a follow-up to 1994's Gift of the Tortoise, Songs from a Zulu Farm is another Ladysmith Black Mabazo children's album, on which the nine-member South African male choir led by Joseph Shabalala sings traditional songs relating to children, specifically back home on the farm. Since the singing is in Zulu for the most part, the focus on nature, children, and animals may not be immediately apparent to an English speaker, who will hear the disc as a typical collection of a cappella singing, with...

Rachel Anne Warren - vocals, keys
Jonathan Badger - acoustic and electric guitars, oud, mellotron, piano, vocals, balalaika, concussions
Really great, edgy, electro-pop duo project from the under-recognized Jonathan Badger (who I knew, of course) and Rachel (a really fine singer from Baltimore who I didn't know before this project)

"Lake Mallory is the musical hybrid born of the wildly diverse sensibilities of Jonathan Badger (Cuneiform, MT6, High Horse) and Rachel Anne Warren...

"The New Yorker critic Whitney Balliett once said her tiny wisp of a voice "would scarcely reach the second storey of a doll's house", while jazz critic Leonard Feather described it as "a voice in a million". Blossom Dearie pursued a singular career...

“LAND OF CHOCOLATE is a 4-piece project that includes Jonn Buzby of FINNEUS GAUGE, and Jordan Perlson of ECHOLYN. This project originally started after Jonn, tired of playing drums, decided to write some songs on keyboards for a future solo project. After finding 3 other musicians interested in his compositions, the "solo idea" quickly turned into a band effort.
"Unikorn on a Cob" consists of 10 tracks that average about 6-minutes each. The vocals, which really stand out here, seem influenced by...

“As the clever title indicates, this six track EP features recordings that were "left over" from the Garden Of The Moon sessions. But it also features some new remixes of older, previously released material.
Only two of the six tracks will be of genuine interest for most fans, as they were not available elsewhere (until the release of the 2CD special edition version of Garden Of The Moon). These two songs are Leaving Stardust and This Is Not America. The latter is a cover of a David Bowie song...

Lana Lane - lead & harmony vocals
Peer Verschuren - guitars
Erik Norlander - keyboards, bass guitar, producer
Ernst Van Ee - drums

“Their previous Lady Macbeth album broke with the band's long standing tradition of opening and closing each album with an instrumental, and on the present album they jump straight into a rocking opening song, suitably entitled Into The Fire. However, somewhat in line with the old tradition, the album is wrapped up with a nearly eight minute long...

"The twelve part BBC Series, Lark Rise to Candleford, on prime time Sunday nights has attracted nearly 12 million viewers each week. The album includes several pieces of music from the programme, including the theme music. The main man behind the...