“Experimental by name, the band was definitely experimental by nature. The concept started with Corinne Micaelli, the director of the French Institute in Haiti. She wanted to bring drummer Tony Allen, the power behind Afrobeat and one of modern music's towering figures, to the island. A performance with Haitian musicians at a major public concert would be perfect. Allen agreed, and Erol Josué, a singer, dancer, voodoo priest, and director of the Haitian National Bureau of Ethnology, helped to recruit...

“New offering from New York city’s master of Isolationist Ambient. A continuation of the previously explored realm of the spirit world through "Lucid Intrusion" (Cyclic Law 2018), we’re now being depicted a unique journey of an Outer Body Experience.
As the spirit leaves the physical body and is propelled to a parallel universe, it encounters unknown phenomenas and travels obscure and unrecognisable landscapes. An otherworldly journey through an infinite realm, a subconscious terra incognita...

Albare – guitar, synth guitar
Phil Tucio – piano
Yunior Terry – bass
Pablo Bencid – drums

“Australia continues to grow in every area of the arts and among those in the upper echelon of artists is Albare aka Albert Dadon. A man from many influences - born in Morocco, raised in France and Israel, Albare emigrated to Australia when he was 27 years old and since his arrival he has grown in public image and in reputation as one of their finest jazz guitarists and composers. There is...

Algernon are one of Chicago's fastest rising young bands. They have a great post-rock/avant-progressive/modern progressive, instrumental sound. They feature a unique line-up of dual guitars, vibes, bass and drums. The band is led by guitarist and composer Dave Miller. The other members of Algernon are second guitarist Toby Summerfield (who also was a member of Larval for many years), vibes player Katie Wiegman, bassist Tom Perona, and drummer Cory Healey. Miller formed Agernon as a way to combine a large...

"This compact disc contains the full version of the 'Death Of Rock' EP, issued on Shangai Records in 1982. The other four tracks are all previously unreleased material."

"A charming poetic hodgepodge this, allowing the Gong shaman Daevid Allen...

This is both of two albums that joined Daevid with multi-instrumentalist Kramer.
I saw one of their shows and they worked really great together. Kramer put a little bit of edge into Daevid's whimsy, but it was also really clear that both musicians really liked each others' work, despite the apparent differences in style and approach.
Both of these collaborations are some of the best of Daevid's 90s work, I think.

Still a fine album, but the band was reeling from the blow of Duane Allman’s death so soon after the success of Live At The Fillmore East....

“A tribute to the dearly departed Duane, Eat a Peach rambles through two albums, running through a side of new songs, recorded post-Duane, spending a full album on live cuts from the Fillmore East sessions, then offering a round of studio tracks Duane completed before his death. On the first side, they do suggest the mellowness of the Dickey Betts-led...

"This is the second proper full-length album by Swedish super-group The Amazing. The Amazing fell far from the tree. A natural process: coming together through affection, then slowly crystallizing into a folk-rock-psych-pop-collective slowly pushing, bending, then playing with any preconceived notions of pop. When a band takes a name like The Amazing, they'd better have the chops to back it up. Happily, this Swedish outfit -- a collective headed by Reine Fiske and Johan Holmegard of neo-psych juggernauts...

Produced by Mike Keneally and Android Trio.

Max Kutner, Eric Klerks and Andrew Niven, virtuosos all, were all also schooled in playful virtuosity, sprung rhythms, and no-holds-barred experimentation while playing in one or both of two of the great legacy bands of progressive music: The Grandmothers of Invention, who specialize in the reinvention of the Frank Zappa/Mothers of Invention repertoire, and The Magic Band, John “Drumbo” French’s uncannily inspired...

"This disc will play in stereo on a CD player and with film and 5.1 surround sound (or stereo) on a DVD player or computer. The music, as always, is prodigious, sounding like a small band, but played by one person in real time (as the film attests). In this format, you can also see the instrument close-to - a highly rebuilt and extended giant Sardinian guitar - with many sympathetic and extra strings, motor driven hurdy gurdy wheels, whirling strings, springs and other appendages, played, like a cello...

This is one of the most vividly surreal albums I've ever listened to and I ain't complaining about that one damn bit.

“Ant-Bee indeed is left in obscurity, his recorded work are reflective of the psychedelic era of the 1960's. Primarily Ant-Bee's début, 'Pure Electric Honey' is mainly a psychedelic pop album in substance, which makes it easier to listen to, due to the sounds and melodies, that are excellently performed and palatable to anyone. Though after the first song (excluding Intro)...

Completely charming album that should appeal to folks who love the more acoustic-based 'avant/progressive-yet-tuneful' stylings of L'Ensemble Raye, Feliu i Joan-Albert, 3 Mice, etc. This has definite Italian as well as South American folk influences...

“Ariel Pink followed Pom Pom -- a wild album even by his standards -- with a set of songs inspired by an artist who defined outsider status.
For a few years in the '60s, Bobby Jameson was a fixture of L.A.'s psych-rock scene before dropping out due to mental health and substance issues, then reemerged in the late 2000s to share his thoughts on life and the music industry on his blog and YouTube channel until his death in 2015. He proves to be a potent muse for Pink on Dedicated to Bobby Jameson, an...

Dagmar Krause-vocals
Chris Cutler-drums, electronics
Fred Frith-guitars, keyboards, violin, etc.

This was the 3rd and final album by the successor band to Henry Cow. I'm not really sure why (short playing length? the press had gone onto other things to champion? it wasn't released stateside, unlike the first two?) but this one slipped under the radar of a lot of folks, compared to their 1st two.
It's a very bleak, but also a very solid work. It’s probably my favorite of their albums

This album, recorded in Berlin, and originally released in 1977 on Virgin, marks the first time Manuel Gottsching used the name Ashra (as opposed to Ash Ra Tempel). This was also possibly the first time that the term "new age" was used on a record!
It's another completely wonderful, flowing, spacey album, featuring just Manuel performing on sequencer, keyboards and a lot of guitar. He did one more great one after this, Blackouts, then took some time off and returned to utter greatness and glory with..

“A heavy, oft-sampled slab of Bay Area history, and a psych funk masterpiece that cannot be denied. Aura formed in 1974 and played extensively throughout Northern California. By 1976, the band recorded their first and only album at Pacific Recording Studio in San Mateo.
The original title of the album was meant to be “Sativa”, but out of fear that promoting the joys of marijuana would be too controversial, the band omitted the title and just left it as “Aura”. Over the ensuing decades, the Aura...

Derek Bailey - acoustic and electric guitars
George Lewis – trombone
John Zorn - alto and soprano saxes, clarinets, and game calls

“Subtle, droll, hilarious takes on the trivia of baseball sounds: Lewis speaks through the trombone "ball one, ball one...." There are snippets of a slipping and sliding version of "Take Me out to the Ball Game" and so on.
Sections are titled "City City City," "The Legend of Enos Slaughter," "Who's on First," followed by "On Golden Pond," a tongue-in...

"In November 1971, drummer Ginger Baker decided to set up a recording studio in Lagos, then the capital of Nigeria. He also decided that it would be a rewarding musical experience to travel Nigeria over land across the Sahara Desert - a journey that would lead him into a number of adventures. This film by Tony Palmer follows Baker's odyssey as he makes his journey and finally arrives in Nigeria to set up his studio, which wuold run successfully through the 70s as a facility for both local and Western...

“Franck Balestracci is French (but he probably has Italian ancestors) and puts together sounds. Originally a drummer and percussionist, he has expanded his instruments to include various acoustic and electronic sound generators, mostly with keys. He records his albums (three to date) single-handedly, cobbling together a multitude of sounds and noises and using modern studio technology to transform the whole thing into complex, electro-acoustic sound creations. Every now and then he gets a little help...