“A reissue of Conrad Schnitzler's Con, originally released in 1978 in France on the Egg label.

Conrad Schnitzler: In the electric garden by Wolfgang Seidel, May 2020: "... Whilst on shore leave in Düsseldorf, Conrad Schnitzler heard about a professor at the School of Art (Kunstschule) who also accepted students into his class without high school diplomas. Conrad Schnitzler became one of them. The spirit of a fundamental new beginning bonded this generation of artists together, with Karlheinz....

“First-ever LP issue of Conrad Schnitzler's Conditions of the Gas Giant, originally released on cassette in 1988. The Berlin artist first released these recordings on a small American cassette label. Admirers of the seminal artist Conrad Schnitzler can be found all over the planet, including the USA, of course.
Matt Howarth, illustrator and independent comic artist, is one of them. He has been following Schnitzler's music since the early 1970s whilst drawing offbeat science fiction stories. One day...

"Conrad Schnitzler is undoubtedly one of the founding fathers of German electronica. And his son, Gregor Schnitzler, matched the father's extraordinary level of creative output. They appear to have settled any musical differences amicably. After all...

Includes almost 20' of material not found on the original release!

"Commercial Schnitzler? How quickly, how prematurely are opinions and judgements bandied about when an artist suddenly changes the form of his work. Conrad Schnitzler fell under..

"Contempora (1981) is a sort of collection of sketches, reflecting Conrad Schnitzler's inexhaustible creative powers in condensed form. Like light refracting through a multiple prism, shapes and colors constantly change, backgrounds shift through...

"Filmmusik 1 is a selection from Conrad Schnitzler's archive.
In Conrad Schnitzler's sprawling archive, there are two tapes marked Filmmusik 1975 A and Filmmusik 1980 B. It is hard to say which videos this music belongs to, particularly as the pieces have been left untitled. Perhaps there isn't really any film material at all. The dates are of no great help either, since the tapes feature the same tracks, albeit in varying degrees of quality.
Filmmusik 1 presents an initial selection of these...

"Bureau B present part two of their Filmmusik double release. In 1975, Conrad Schnitzler recorded various pieces of music to accompany films which had yet to be made. Fittingly, he labelled this collection of songs Filmmusik. Only one of the tracks - "Gute Fahrt" ("Nice Journey") - would ultimately be paired with a film, now traceable on the internet for all to see. The music is included on Part 1 of Bureau B's Filmmusik double release, erroneously entitled "02/1980". Why the incorrect title? The tapes...

"In the comprehensive canon of Schnitzler releases, the music on the Gold album stands out a mile in every respect. Judged on the sound alone, there is little to suggest that the material was recorded as long ago as the 1976 to 1978 period. There is...

"Conrad Schnitzler is a genuine legend in the Krautrock and electronic music worlds. He studied under Joseph Beuys before joining an early Tangerine Dream.Their first album, Electronic Meditation, shows a band highly influenced by Schnitzler’s unique...

"Conrad Schnitzler is incredible. I would dearly have loved to meet him, to have been present when he, Seidel and Baumann were working their magic at Paragon Studio. Fortuitously, Wolfgang Seidel, co-author of these pieces, has opened up his archive of recordings to the Bureau B label. He and Conrad Schnitzler spent many years together experimenting with sound, capturing the results on the two Consequenz albums, amongst others. I had the honor of meeting Wolfgang Seidel at the Golden Pudel Club during...

"There was a particular type of artist who could only have emerged in the legendary early 1970s. Few musicians fit the bill better than Conrad Schnitzler (Tangerine Dream, Kluster). Revolution, pop art and Fluxus created a climate which engendered...

“The 1960s weren't just about The Beatles, the Rolling Stones and hippies; they also ushered in new forms of art: happenings, Fluxus, Neo-Dada, video art, to name just a few. As borders blurred, pop influenced art and art influenced pop. Many protagonists of the time chose to ignore borders altogether. This chaotic, euphoric atmosphere of extreme innovation lasted well into the 1970s and continues to resonate today. All manner of trailblazers shaped the soundscape of the era. Conrad Schnitzler (born...

"The music explores suffocating sounds that can be obtained by haunted analog synth textures and ultra hypnotic frequencies. A very creepy, extended drone manifesto. Supreme stuff!! A hymn to repetition, micro-events and dream-time."-Prog Archives

"Conrad Schnitzler (1937-2011), is one of the most important representatives of Germany's electronic music avant-garde. He was a member of Tangerine Dream and Kluster, and also released countless solo albums. Pole, the Düsseldorf-native musician Stefan Betke, looks back on a two decade career in abstract electronic club music. With Barbara Preisinger he created Scape Records and his own mastering studio Scape Mastering. The Con-Struct series is based off of Schnitzler's daily excursions through the...

“Conrad Schnitzler (1937-2011), composer and concept artist, was one of the most important representatives of Germany's electronic music avant-garde. A student of Joseph Beuys, he founded Berlin's legendary Zodiak Free Arts Lab, a subculture club in 1967/68, was a member of Tangerine Dream (with Klaus Schulze and Edgar Froese) and Kluster (with Dieter Moebius and Hans-Joachim Roedelius) and also released countless solo albums. Schneider TM (Dirk Dresselhaus) has been involved in various musical fields...

This is the best known of his works...mainly because his backing band was The Police (then completely unknown). It mostly sounds like Eberhard, but you can hear a little bit of The Police in it too. Funny!...

“Since the 1980s, Mario Schönwälder, born in West-Berlin, Germany, has been involved in the production of electronic sounds, first in the environment of Bernd Kistenmacher, and later mainly in duo and triple formations. In 1992 Mario founded his own label Manikin Records, on which he released his albums from then on. Four years earlier, Mario Schönwälder had released "Aus einer anderen Zeit ...", his first solo work, which was launched in a limited edition and only as a cassette.
One year later...

Picture Music was Klaus' 3rd album and his first real 'synth' album to my mind. It's also the first album that has 'the Klaus sound' to my ears, even though his first two are also pretty good albums. This was recorded in 1973, but due to legal issues, was not released until 1975 on Brain. This beautiful gatefold digippack has a good, lengthy interview with Klaus about this album specifically. Most importantly, there is a 33' bonus track from the same sessions, which is released here for the very first time!

“'101, MILKY WAY' is a real treasure from Klaus Schulzes musical legacy. It is one of those KS works that absolutely need to be presented to the world, and as such it is part of our obligation to share all of his music with all of you. And of course the genesis of this album - as always - has its very own history:
It all began at the end of 2008 with an enquiry from a German film production company asking if Klaus would perhaps create the score for a planned film documentary about computer hackers...

“Re-Release of the Klaus Schulze's "Another Green Mile" (originally released 2002 as part of the strictly limited and long exhausted 5CD Boxset "Contemporary Works II")."
“From 08:00 on, the previous cold and somehow lost and abstract oboe suddenly sounds a bit more concentrated, more emotional, even elegiac and yes, charming. Apart from the oboe you hear a voice, Wolfgang Tiepold's cello, and a guitar. Although the CD shows 5 tracks, it can also be heard as one long peace, and we know that not just...

"Apart from „Ballett 1 & 2" the "Contemporary Works" box also contained "Ballett 3" and "Ballett 4". These four pieces were originally intended to be one composition in honour to my mother who had been a ballet dancer and had died in 1998. I never assumed that the ballet would be performed with dancing. Then I would have to cut down to about 15 or 20 minutes and would probably have to throw away all my favourite parts! The music could have had another title but since it was the first production I did...

"Originally released in 2000, Ballett 4 is the final of Schulze's four part Ballett series, all of which were previously released on the deleted 10 CD Contemporary Works box set and which was dedicated to his mother, who was a dancer. The music...

The first album by Klaus to be released outside of Germany, many people's first encounter with Klaus' monumental solo work began with this album and it's a great one. Highly recommended!

"Blackdance was my first album to be released in England on Caroline, a Virgin label. Before that [Virgin boss] Richard Branson had signed Tangerine Dream, and then he also contacted me. Of course, I said yes right away. Not just because Branson liked music from Germany but also since Virgin was at the time...

Klaus's seventh album was an album of music for a porno movie from 1977. This is more music created for the soundtrack which, iirc, was released later, and is yet another great CD from the great man of spacey electronics. This is a classic 70's space work & is a pretty necessary title in any collection. This is 4 long tracks that ooze those classic Berlin space sounds and feature Harald Grosskopf on drums, which is always a good thing on any Klaus album.

Highly recommended. This adds an extra 23'...

“Re-release of the sought-after Klaus Schulze album „Cocooning", previously released as part of the strictly limited and long exhauseted 5CD Boxset „Contemporary Works II" (2002). First track "Easy Listening" is well-difined by the relaxed loops of Tom Dams and the filigree guitar play of Michael "Mickes" Luecker. The mysterious sounding "And She Is Kind And Gently" don't need any rhythm - a dialogue between Klaus and Tobias Becker, whose oboe and English horn is pleasing the ear on almost all Cocooning...