New Arrivals
New Arrivals
Tom Djll (all tracks) - trumpet, live-sampling, Serge electronics, keyboards, voice
Ron Anderson - guitar, sampling, 'cello, voice
Myles Boisen - electric guitar
Doug Carroll - amplified 'cello, MIDI-activated sampling
Hillary Double-D - electric guitar, voice
Ed Herrmann - Serge electronics, programming
Fredrick Lonberg-Holm - travicello
Tom Nunn - amplified percussion boards
Thomas Scandura - drumkit
William Winant - drumkit
Jack Wright - alto sa
Luciano was the guitarist and leader of LA 1919 for many years. Here he works on a project where most of the recordings here he constructed pieces out of guitar improvisations received through the mail, and then added musical materials (his own guitar, as well as other instruments like bass, drumloops, samples, etc.) and assembled it all together. Each guest guitarist gets one track.
Included are: Derek Bailey, Waedi Gysi, Nick Didkovsky, Elliott Sharp, Angelo Avogadri, Franco Fabbri, Eugene...
Long out of print, we found exactly 3 copies. The 2nd release by this band (The Nameless Cult) that features bassoonist Juan Carlos Ruiz, formerly of Nazca, plus piano, violin and French horn/electric bass, plus guests on cello, drums, percussion. For the most part, this is percussionless, and the sound is like the least rock aspects of early Univers Zero. Like Nazcal, this is very influenced by the earliest & most 20th century classical/creepy aspects of U.Z. Certainly a good listen for fans of this...
“A suite of fiendishly complex compositions for mixed real and virtual resources. Bob Drake, Djorge Delibasic, Pegja Milosavljevic and Chris Cutler make appearances - playing electric guitar, bass, drums and virtuoso violin between them, but mainly it is Stevan who plays all kinds of keyboards, strings, double bass, zither, samples and software.
Three thoroughly through-composed and finely articulated pieces make up this very concentrated suite: Concerto Grosso (for keyboards, string instruments and..
"This is the 13th release from Australian maverick trio The Necks, now approaching their 20th Anniversary, and still occupying a genre-group of one. Their slow, gripping, development of a single idea over the length of a whole CD, while somehow obvious, has proved un-copyable, mostly because it so much depends on the unique musical personalities and extreme virtuosity of these three, profoundly different, musicians.
Having established their theme, The Necks, with Chemist, break the habit of a...