New Arrivals

New Arrivals
Rebeka Rusjan Zajc piano
"With her extraordinary debut album, Prelude, young Slovenian pianist Rebeka Rusjan Zajc (now residing in Amsterdam), announces herself as a precocious new talent, already forging her own distinctive art language, navigating the bountiful margins between non-idiomatic improvisation, jazz and classical music.
Across this disc’s sole extended piece, ‘Illusion’, she marshals a dynamic carnival of boundless extemporisation, full of instinctive runs and dramatically tumbling.

Pedro Branco piano
João Sousa drums
João Hasselberg doublebass
Hernâni Faustino doublebass
Tony Malaby tenor saxophone

"Abiding friends and serial collaborators Pedro Branco and João Sousa scale an enchanting set of melodic, nostalgia-fuelled summits on Another State of Rhythm, their third long-player issued under the Old Mountain sobriquet.
After initially establishing themselves with an exhaustive run of enduring associations on Lisbon’s vibrant jazz scene, Branco and Sousa..

Signe Emmeluth alto and tenor saxophones
Ingebrigt Håker Flaten double bass (Minimoog on 'Pseudoscience')
Andreas Wildhagen drums
Jonas Cambien piano and Ace Tone Top 5 organ (soprano saxophone on 'Pseudoscience')
guest: Guro Kvåle trombone on 'Once Low Now High' and 'Good Frenemy'

"Maca Conu is the dazzling new band led by Belgian-born, Oslo-residing pianist, composer and improviser Jonas Cambien, an outfit whose eponymous new release clamours like an exploding kunstkammer of...

Giuseppe Doronzo baritone sax, Iranian bagpipe | Andy Moor electric guitar | Frank Rosaly drums, percussion

"Temporal and spatial tyrannies, cultural conventions and deep-rooted idioms, all dissolve in a beguiling trans-dimensional flux during the four post-Gurdjieffian spirituals to be found on Futuro Ancestrale, an album documenting the exhilaratingly ambitious first encounter of three master musical mages operating at the apex of their creativity.
Recorded during their debut performance..

André Roligheten tenor saxophone
Thomas Johansson trumpet
Oscar Grönberg piano
Jon Rune Strøm double bass | Tollef Østvang drums and percussion

Scandinavian powerhouse Friends & Neighbors make an auspicious return with Circles, their sixth full-length release, brimming – as you might expect from an outfit borrowing its moniker from a lesser-known Ornette Coleman classic – with dexterous, hard-edged improvisations, unapologetically taking influence from the fearless New Thing movement..

Liba Villavecchia alto sax
Luis Vicente trumpet
Alex Reviriego double bass
Vasco Trilla drums

"Since forming in March 2021, the Liba Villavecchia Trio have channelled a singular spiritual mien, borne of shared experience, reflection and reminiscence, with previous albums, Zaidín (2022) and Birchwood (2023) capturing the group’s esprit de corps in vividly contrasting approaches, hopscotching from propulsive swing and fractious bustle, to smouldering disquisition and evocative...

Sérgio Carolino tuba
Alexandre Frazão drums
Mário Delgado electric guitar

"Marking two decades of continuous, eclectic evolution, TGB – the Portuguese power trio boasting tuba ace Sérgio Carolino, guitarist Mário Delgado and drummer Alexandre Frazão – take another captivating whirligig around their enigmatic universe of collective musical influences, filtering an impeccable sonic palette via the prism of Room4, the ensemble’s fourth stunning full-length for the Clean Feed imprint....

Peter Van Huffel baritone saxophone, electronics
Lina Allemano trumpet
Antonis Anissegos piano, electronics
Joe Hertenstein drums

"Borne of jazz tradition, yet audaciously and extravagantly dismissive of its more fatigued conventions, comes the devilish Meandering Demons, the fantastic debut full-length from Peter Van Huffel’s CALLISTO.
Largely eschewing the full-throttle punch and pile-driving groove of his longstanding Gorilla Mask unit, this new bass-less quartet finds Canadian...

"High-flying Norwegian trumpeter and composer Thomas Johansson, much-lauded for his spellbinding work with, among others, Friends & Neighbors and Gard Nilssen’s Supersonic Orchestra, brings together two of his other formidable ensembles – premier third-stream troupe Scheen Jazzorkester and avant-garde party-starters, Cortex – for a scintillating showcase of big-band bravura.
Recorded live in the winter of 2022 at Norway’s old Hamar Teater hall, the five dynamic cuts on Frameworks have their origins...

Jim Baker piano and ARP-2600
Steve Hunt drums and percussion
Jakob Heinemann double bass

“Running the gamut between daring twelve-tone interplay, nuanced lyricism and extra-terrestrial synth manipulation, Horizon Scanners announces the arrival of a captivating new Chicagoan piano trio, one steeped in the Windy City’s illustrious jazz history, but determined to write its own distinctive chapter.
 Steve Hunt (drums and percussion) and Jim Baker (piano and ARP 2600 synth) were both...

Rob Mazurek trumpet, piccolo trumpet, piano, prepared piano, sampler, magic yellow bucket, bells, shakers, flutes, voice, and various percussion

“Milan is the latest spellbinding stop-off on an intrepid solo voyage, with interdisciplinary abstractivist Rob Mazurek (Exploding Star Orchestra, Chicago Underground Duo, São Paulo Underground and Black Cube SP) dropping anchor in the regional capital of Lombardy to record the latest in his series of unaccompanied performances at radio stations...

Joana Sá piano, electronics & others

"Part of a broader, fragmentary project composed by several autonomous but complimentary outputs such as the (expanded) book ‘a body as listening - resonant cartography of music (im)materialities’ (Sistema Solar / Teatro Praga), the virtual installation www.abodyaslistening.com, the solo performance ‘a body as listening’ and the lecture-performance ‘Are you there? - resonant cartography of music (im)materialities’, this is composer-pianist Joana Sá’s first...

“Sufi trance musicians and rituals -- from the depths of the Tunisian desert -- in conversation with post-industrial sonics. Ifriqiyya Electrique's François Cambuzat -- a guitarist and field recordist (Turkey, China, Central Asia) -- is a veteran of the Mediterranean punk and avant-rock scene, which has always been more politically charged than its counterparts to the north and (far) west. With bassist Gianna Greco, he is half of Putan Club (and one third when these two fierce and uncompromising players...

“Singer and composer Beverly Glenn-Copeland's hard-to-categorize music is filled with wonder, compassion, and hope. Beginning his recording career in the early 1970s with two self-titled albums of poetic jazz-folk, he spent many of the following decades working in children's television.
This, his second, was issued by GRT in 1971. The album was recorded with an impressive cast of notable jazz musicians, including flutist Jeremy Steig, guitarist Lenny Breau, drummer Terry Clarke, and bassist...

Martin Drover, Kenny Wheeler & Harry Becket (trumpets/flugelhorn)
Malcolm Griffiths, Ed Harvey & Danny Almark (trombones)
Mike Osborne (alto & clarinet)
Stan Sulzmann (alto & soprano, flute)
Alan Skidmore (tenor & flute)
John Surman (baritone & soprano)
John Warren (baritone & flute)
John Taylor (piano)
Harry Miller & Barre Philips (bass)
Alan Jackson & Stu Martin (drums)

This is the first and only time that this GREAT album from 1971 has been reissued...

It’s all good stuff, but the two 20’ pieces, Knee Deep In Ghosts and A Sleep In The Deep, are both totally beautiful...

“The baritone guitar is a guitar with a longer scale length, typically a larger body, and is tuned lower than a regular guitar - often pitched halfway between the lowest note of a bass and and the lowest note of a regular guitar.
Henry Kaiser has been playing baritone guitars for over 30 years and this is his first solo album that is all baritone. All solos here are free-..

Harry Beckett-trumpet/flugelhorn
John Surman-baritone and soprano sax
Mike Osborne-alto sax
Alan Skidmore-tenor and soprano sax
Frank Ricotti-vibes
John Taylor-piano/Wurlitzer electric piano
Chris Lawrence-bass
John Webb-drums

This is the first and only time that this GREAT album from 1970 has been reissued legitimately and also it was extremely well done.
"Vinyl audio remastered & cut from the original master tapes by Gearbox Records. Flip-back LP sleeves

Emmanuel Borghi : keyboards
Philippe Bussonnet : bass
Daniel Jeand’heur : drums
Bruno Ruder : keyboards

At this point, even though they started as a Magma offshoot, this great fusion / zeuhl outfit very much has their own, quickly recognizable sound. And even without James, they’re still great.

“Just a year ago, to the delight of all Zeuhl lovers, One Shot was refounded, during a now legendary concert in homage to James Mac Gaw. Since then, the group has never...

The Who's quite amazing 1971 studio album was (and is) played too much on classic rock radio, but that doesn't make it any less of a tremendous feat. It's also their most progressive rock oriented disc, what with Pete's use of keyboards and Terry Riley influences. “Super Deluxe Edition contains 10-CDs all remastered from original tapes by long time Who engineer Jon Astley as well as a Blu-ray Audio disc with newly made Atmos & 5.1 surround mixes of the original album and 14 additional tracks by Steven...

It’s been way, way too long since I heard from GMFTPO, a fine Japanese psych outfit.

“A limited edition, full-length split album celebrating a 2024 co-tour of Japan by underground cracked-psych purveyors F***wolf from San Francisco and legendary prog-benders Green Milk from the Planet Orange from Tokyo.
Green Milk stretch a live performance of one of their extended signature jaw-droppers "Concrete City Breakdown" relentlessly across an entire side of Let's Split while F***wolf delve into a...

“Acclaimed guitar duo Loren Connors and Alan Licht celebrate their 30-year collaboration with the release of their eighth album - At The Top Of The Stairs.
Across the decades, their improvisations turned increasingly abstract and atonal, while still maintaining complex, ethereal arrangements. The harmonious blend of Licht's meticulously crafted feedback and harmonic patterns with Connors' ghostly blue tones remains the core sound of this partnership.
At The Top Of The Stairs was recorded live...

Fay Victor – vocals
Michaël Attias - alto & baritone sax
Anthony Coleman - piano
Ratzo Harris – bass
Tom Rainey - drums

“Acclaimed vocalist-lyricist-arranger Fay Victor & her Herbie Nichols SUNG Quintet celebrate & thoroughly reconsider the rich legacy of jazz composer Herbie Nichols with Life Is Funny That Way, and bring it singing boldly into this century.
Following on Billie Holiday, who famously wrote "Lady Sings The Blues" to Nichols' "Serenade," Victor developed th

“Recorded in 1975 at the Winterland Theatre, the Majestic Wakeman is captured at his best on this timeless radio broadcast. Taken from the early stages of Wakeman's solo career, this album captures him in his freshest period, at a time when his flamboyant playing style was most respected.
This recording features a great show with tracks from Six Wives, Journey and Myths. Sound quality is superb and The English Rock Ensemble and Rick are in fine form. Included are stunning versions of "Lancelot and...

"The beauty of Jiha's work lies in the spaces she leaves"-The Guardian

“Park Jiha's debut album Communion released internationally by tak: til in 2018 - drew well deserved attention to the young Korean instrumentalist/composer's vivid sound world. The widely acclaimed album graced 2018 critics lists at The Wire, Pop Matters, and the Guardian.
Her new album Philos - which she calls an evocation of her "love for time, space and sound" - is every bit as inventive, elegant, and transcendent as..

“Sound collage collaboration between Julian House (The Focus Group) from the Ghost Box label and former members of the indie band, Broadcast. Channeling of early collage work from The Hafler Trio with a distinctly formalist aesthetic dripping with ‘70s nostalgia as with all things Ghost Box.”-Karen Elliot

“Children of Alice have been quietly producing amorphous and intoxicating soundscapes as part of the Folklore Tapes collective for a number of years now, beginning in 2013 with Harbinger of...

“Once they heard him play, few people disagreed with Jaco Pastorius' assessment of himself as the 'greatest bass player in the world'. His meteoric rise in 1977 to the bass chair in Weather Report and his work with Joni Mitchell, established him as a major player on the jazz and rock scenes. Broadcast by NHK radio at Shinjyuku Koseinenkin, Tokyo on 22nd May 1983, this is a rare example of his eclectic Word of Mouth small group having fun with a variety of musical styles. Given his status Jaco could have...

Excellent sound and performance from Kevin’s summer jaunt with the Whole World (the tour included Robert Wyatt drumming for the absent Mick Fincher). Kind of essential...

“One of the leading lights of the Canterbury scene, Kevin Ayers shaped British psychedelia as part of The Soft Machine in the late 60s - a brief but fruitful period which alone would have secured his place in music history. As a solo artist, however, he developed the era's sounds further, edging into prog rock with his first two..

"Look is a concentrated soundscape experience inspired by Japanese synth guitars from the 1970's. An exciting excursion from his previous singer-songwriter material, this release fits in line with similarly groundbreaking records such as Brian Eno's "Music for Airports".”

“Blake Mills earned a reputation as producer and guitarist who prized authenticity in his work, which is what makes this 2018 album Look so startling. Consisting of five tracks of wordless, formless ambient music, Look is...

"Emile Jacotey is a clear step back from Ange's great third album Au-delà du délire. That's a fantastic symphonic prog album but Emile Jacotey doesn't reach the quality of it's predecessor. That still doesn't mean this is a bad album. Most of the songs are nice but in my opinion this album includes too much vocals. Musically the album is good but there is just simply too much mediocre singing.
Overall I think that Emile Jacotey is just about as good as Ange's first two albums. These are all pretty...

Myles Boisen: guitar
Krystyna Bobrowski: bowl kelp
David Caldwell: tenor saxophone
Brian Christopherson: drums
Jeremy Keller: guitar
Gino Robair: sampler, tapes, theremin, space voice mask
David Tohir: backbone
Kirk Udvardi: alto saxophone
Scott Vance: rasta bass

“This is an album of electro-acoustic improvisation. The featured instrument is the backbone (which is short for feedback trombone), an invention of my friend Scott Vance & myself..

“It's been ten years since King Sunny Ade last released a studio album, so this is a welcome return for Nigeria's finest, backed up by a vigorous young band on a double-CD set that gives him plenty of time to stretch out. There might not be too many tracks, but that's because they all receive plenty of air, especially the half-hour-plus of "Baba Mo Tunde," which takes wing halfway through and soars like a Grateful Dead jam for the remaining 15 minutes.
The production is lovingly crisp, with the...

Released on Blu-ray with Dolby Atmos surround sound

“2023 was the year of the Artrockers from RPWL: 'Crime Scene', the eleventh studio album and the nineteenth overall, entered various charts after it's release: it even reached a remarkable 18th place in the German album charts! This was followed by a fantastic long European tour through eight countries with many sold-out venues. On the last studio longplayer 'Crime Scene', the Bavarian Artrock institution focused their attention on the morbid...

“2023 was the year of the Artrockers from RPWL: 'Crime Scene', the eleventh studio album and the nineteenth overall, entered various charts after it's release: it even reached a remarkable 18th place in the German album charts! This was followed by a fantastic long European tour through eight countries with many sold-out venues. On the last studio longplayer 'Crime Scene', the Bavarian Artrock institution focused their attention on the morbid, the perverse, the evil in the good, the abysses of the human..

“With King Crimson alumni Tony Levin on the Chapman Stick and drummer Pat Mastelotto, Markus Reuter brings is various Touch Guitars and soundscapes to a tour of Japan back in 2022 to mix original compositions with a salute to Robert Fripp in both sound and tune selection.
Vintage Crimson material from the golden days are delivered with 21st Century Schizoid fashion, as “Red” has Mastelotto delivering an avalanche of percussion around the fiery metallic strings, while “Lark’s Tongues In Aspic”

Long out of print, we found exactly THREE copies in the lost warehouse!

Etron Fou were one of the premier French avant/progressive bands from 1974-1986, & a founding member of R.I.O.
This reissues the Etron's 1st album, from early 1977. This is certainly their most dada/out album, and I have a real soft spot for it in my heart, but I wouldn't recommend you start here unless your interest is more in general French craziness than in the superb musicality that came...

"Serious and eccentric pieces for piano, other keyboards, throat singing and small drums, some Dollar Brand, some nonworld music. Unlike anything I can think of."-Chris Cutler. ”He´s a clear, melodic player with a left hand and rhythmic feel occasional...

Almost a decade after their last album, Rattlemouth regroup and re-emerge with a splendid new album. Rattlemouth's roots go back over 25 years to the great art-rock-punk community in Richmond in general, and to the amazing & legendary Orthotonics in specific. After the Orthotonics disbanded and saxist/vocalist Danny Finney had played in other types of bands, he got an itching to do another creative art-rock project and Rattlemouth were born. Since then, Rattlemouth have advanced to become Richmond’s...

First-time on CD for this 1987 debut from Ur Kaos (Lach'n Jonsson, Johan Hedren, Mats Paulsson).

"With their subtly nuanced modulations of unresolved tension and atmosphere of sooty desolation, Sweden's Ur Kaos are one of the precious few bands vibrating at an emotional frequency in tune with the resigned doom of This Heat's Deceit. Unlike the visceral immediacy Charles Hayward's grave intonings lent those late 70s mavens of desperation however, Ur Kaos' lyrical intentions can only be guessed...

Long out of print, we found exactly NINE copies in the lost warehouse!

This was Albert’s fifth album. It includes an outtake from the Celiu sessions, released as a single at the time.
Not quite up to the work of his first four releases (that’s because nothing is), this was issued after a long layoff in 1990, and boy – oh – boy, was I thrilled to see it’s appearance at the time.
The title translates as ‘My Life With Them (but the Them is feminine, meaning I always took the....

"Pere Ubu have really come out fighting with Why I Hate Women, racing towards all horizons at full tilt, pushing the experimental envelope further than ever, but also tightening up their trademark avant-punk attack. If St Arkansas saw them rooting around furtively in rock's darkest, dankest corners, on Why I Hate Women Ubu seem to illuminate these secret spaces with firework displays and thousand-watt searchlights. The rhythm section (Ubu's longest serving) of bassist Michele Temple and drummer Steve....

“Vialka was a drum and guitar duo, art project, and non-profit association: 15 years (2002-2017), 1274 concerts, 55 countries, a seemingly permanent world tour. Merci!”

Recorded and 'sculpted' by Bob Drake, this is a really great release by an exuberant duo who fill a lot of musical space with just baritone guitar & voice and drums and voice. If I had to compare it something, it reminds me a bit of a highly talented punk-rock duo playing the songbook of the earlist works by Etron Fou. Marylise was...

Here is the first-ever vinyl reissue of this landmark album PLUS a second lp of all new stuff.
In the 50 years since this was released, so much has happened, and artists like Keith Rowe and Derek Bailey have become relatively well known, so that the shock of this record back then is hard to imagine now. But as a member of a medium-profile ‘progressive rock band’ on a high-profile ‘progressive rock label’, Fred Frith was watched and known by people who didn’t know Derek from a hole in the ground in...

Matthew Shipp - piano
Michael Bisio - bass
Newman Taylor Baker - drums

“This group evolves in leaps and bounds. You've never heard a jazz piano trio sound like this album -- not even this band on its previous album, the much-praised World Construct. That said, there is a through line from the first Matthew Shipp Trio album, 1990's Circular Temple to New Concepts in Piano Trio Jazz.

Says Shipp, "Yes, we went there with that type of title this time. To anyone who thought the...

“Music for the silent movie Schloss Vogelöd (The haunted castle) by Friedrich Wilhelm Murnau, produced in 1921. Recorded live on October 31st and November 1st 2003 at the Staatstheater Braunschweig, Kleines Haus, Germany.”

"Na Margon is a Bauta label release, written by Ronnie Ehrs with the intention "to capture the uttermost evil and the uttermost good put to music". Ehrs says, "I do not know if I did succeed, however I would like to think that certain parts of the musi...

Tom Djll (all tracks) - trumpet, live-sampling, Serge electronics, keyboards, voice
Ron Anderson - guitar, sampling, 'cello, voice
Myles Boisen - electric guitar
Doug Carroll - amplified 'cello, MIDI-activated sampling
Hillary Double-D - electric guitar, voice
Ed Herrmann - Serge electronics, programming
Fredrick Lonberg-Holm - travicello
Tom Nunn - amplified percussion boards
Thomas Scandura - drumkit
William Winant - drumkit
Jack Wright - alto sa

Luciano was the guitarist and leader of LA 1919 for many years. Here he works on a project where most of the recordings here he constructed pieces out of guitar improvisations received through the mail, and then added musical materials (his own guitar, as well as other instruments like bass, drumloops, samples, etc.) and assembled it all together. Each guest guitarist gets one track.
Included are: Derek Bailey, Waedi Gysi, Nick Didkovsky, Elliott Sharp, Angelo Avogadri, Franco Fabbri, Eugene...

Long out of print, we found exactly TWO copies in the lost warehouse!

Guitarist Jimmy Agren is a member of the Mats/Morgan Band, the brother of drummer Morgan Agren, and an amazing slide player. His albums are more 'bluesy' than most of what we carry, but if you like the sound of Zoot Horn Rollo on those classic Magic Band albums, then you will find a lot here to like! Most of the tracks are all performed by Jimmy on guitars, bass, drums, harmonica and vocals; all of which he handles pretty stunningl

Long out of print, we found exactly TWO copies in the lost warehouse!

First album by this trio of Fred Frith-guitar, Miya Masaoka-koto and electronics & Larry Ochs-saxes. Recorded live July 2-3, 1998 in Chicago.

Long out of print, we found exactly 3 copies. The 2nd release by this band (The Nameless Cult) that features bassoonist Juan Carlos Ruiz, formerly of Nazca, plus piano, violin and French horn/electric bass, plus guests on cello, drums, percussion. For the most part, this is percussionless, and the sound is like the least rock aspects of early Univers Zero. Like Nazcal, this is very influenced by the earliest & most 20th century classical/creepy aspects of U.Z. Certainly a good listen for fans of this...