This is the first of the 2 albums that the duo of Hans Joachim Roedelius & Didier Moebius recorded for the Brain label. From 1972, it uses primitive synthesizers, electronic junk, guitars, basses, homemade boxes & more to achieve a true and utter masterpiece of early electronic sound. I can not recommend this highly enough!

"After Curiosum, the last Cluster album to be released on Sky, Roedelius and Moebius turned their attention to solo work. It was not until the early 1990s that Cluster returned to the electronic music stage with Apropos Cluster and One Hour. The duo...

This is a document of two modestly well recorded shows by Cluster in a very early and later early prime: 1972 and 1977. Don't start here, but essential and quite worthwhile for fans.

The two authorized recordings presented on Konzerte 1972/1977 vividly conjure up the atmosphere, perhaps even the magic, of a Cluster performance back in the day. One took place in 1977 during a science fiction festival in Metz (France). The other dates back to an earlier show in Hamburg's Fabrik venue. Cluster...

In 1994, a few years before the resurgence of interest in all things Krautrock and kling-klang, this album was released in the USA on a tiny label. It marked the beginning of Moebius and Roedelius working together again after a number of years off...

Excellent final release by the pioneers of electronic music in Germany. These two musicians are old enough to be your father or grandfather, yet here they are making new, interesting, cutting-edge music.

"Reissue of the last studio album by Cluster, the legendary krautronic duo of Dieter Moebius and Hans-Joachim Roedelius, recorded in Ohio in 2009 by Tim Story. From Story's liner notes: "My role, as I imagined it, was to emulate Conny Plank, the great Cluster producer and a hero I'd never had a...

These shows from Cluster's 1996 US tour are shockingly great and up to par! Recommended if you don't already have these recordings!

"This release consists of tracks from Purple Pyramid's 1997 CD First Encounter Tour 1996, reworked and reselected.

Nice to have this classic spacey/ambient album generally available again. This was the first collaboration, recorded when Eno's star was at its zenith, between him and the great German electronic duo. I remember my first record store job, around 1978...

Reading the release blather below makes me feel so old; I remember when the cassette of this was released; I never did get to hear that cassette, but I can finally hear this now!

"Live In Vienna is the eighth full-length album by German electronic music outfit Cluster and their first and only album with Joshi Farnbauer. It is the first of three live albums recorded by Cluster.
On June 12, 1980 Cluster performed at the Wiener Festwochen Alternativ with Farnbauer. The performance was recorded..

Colour Haze are a great, mostly instrumental, German guitar/bass/drums psychedelic trio. This is a reissue of the group's long out of print first album, originally released in 2001. The sound here is rawer and more guitar-y psychedelic than later, but...

The minimal masterpiece and always the rarest Faust artifact from the 70s. A fantastic work. Hugely recommended to fans of minimalism.

"Violinist, composer and filmmaker Tony Conrad started his career in New York in the early 1960s. As a member of the Theater of Eternal Music (a.k.a. the Dream Syndicate) alongside John Cale, La Monte Young, Marian Zazeela and Angus MacLise, he participated in now-legendary and often legendarily loud drone performances with many pieces having no beginning and no...

Cosmic Ground is the latest solo project by keyboardist / synthesist Dirk Jan Müller, who I have known for many years, from his work with the duo Octopus’s Garden and then the psychedelic / krautrock band Electric Orange.
All of his releases as Cosmic Ground are Berlin-school solo works and all are very good. This is his latest!

Cosmic Ground is the latest solo project by keyboardist / synthesist Dirk Jan Müller, who I have known for many years, from his work with the duo Octopus’s Garden and then the psychedelic / krautrock band Electric Orange.
All of his releases as Cosmic Ground are Berlin-school solo works and all are very good.

One of the stone classics of Krautrock and Kosmiche Musik, reissued for the very first time on CD and on vinyl from the original analog masters!

The Cosmic Jokers grew out of the marathon, LSD-rich sessions instigated by Rolf-Urich Kaiser (Kosmiche Musik/Cosmic Couriers) and Timothy Leary that also produced Ash Ra Tempel's "Seven Up".
What this is, essentially, is a 'kraut-rock super session', with Jurgen Dollase, Harald Gosskopf, Manuel Gotsching, Klaus Schulze and Dieter Dierks. So, a...

One of the stone classics of Krautrock and Kosmiche Musik, reissued for the very first time on CD and on vinyl from the original analog masters!

The Cosmic Jokers grew out of the marathon, LSD-rich sessions instigated by Rolf-Urich Kaiser (Kosmiche Musik/Cosmic Couriers) and Timothy Leary that also produced Ash Ra Tempel's "Seven Up".
What this is, essentially, is a 'kraut-rock super session', with Jurgen Dollase, Harald Gosskopf, Manuel Gotsching, Klaus Schulze and Dieter Dierks...

This is 1970 and 1972 recordings.

"This CD rounds off the SWF produced Coupla Prog trilogy. With the new line-up, Coupla Prog recorded four outstanding tracks -- extreme professional and intelligent arrangements. The wide spectrum goes from...

"Mental Experience present a reissue of Cozmic Corridors self-titled album. Cozmic Corridors is an underground kraut-kosmische monster, recorded and produced circa 1972-73 in Cologne by Toby "The Mad Twiddler" Robinson for his Pyramid label. The album was apparently released as an ultra-limited handmade edition back in the early '70s, but no original copies have surfaced (editor's note: which tells you everything you need to know about whether or not this was ever really released back in the day...)....

Excellent, rare and LONG out of print one and done electronic music album that somehow managed to be released on CBS in Austria in 1980! Fine stuff.

"The only album by Austrian trio Cultural Noise is an electronic marvel. Band members were Gerhard Lisy, Walter Heinisch and Karl Kronfeld, and instruments used included an ARP Sequencer, an ARP 2600, a VCS 3, an EMS Digital Sequencer, a Mellotron M400, a Micro Moog, a Roland Studiosystem 700, a Roland Analogue Sequenzer and an electric guitar...

"Cybotron was one of the first,if not the first,electronic rock bands in Australia.Cybotron released this, their self- titled debut in 1976.
The group draws heavily on synthesisers (as would be expected), electronic and acoustic percussion, plus saxophone and played minimalist, repetitive progressive-style electronica in a style that emulated the direction of the 1970's German cosmic sounds.
Heavily influenced by the electronic/kraut acts of Germany like Kraftwerk,Neu,Tangerine Dream or Ash Ra Tempel.

Czukay's second album continues his fascination with and expermentation of using recordings from radio, television, short-wave and more, and 'gluing' non-similar sources together and making something unique from them, but also something that 'works' musically.
In the pre-sampling days of 1979, when this was first released, incorporating recordings off of the tv and radio into already existing songs was a fairly amazingly weird thing to be doing. For my tastes, this is his best realized solo album...

“Upon examining the eventful life of Can bassist Holger Czukay, one might come to the conclusion that this intrepid musician was a loner. His turbulent career exuded an enduring eccentricity governed by a boundless free spirit. Yet Czukay, who passed away unexpectedly last year at the age of 79, constantly emphasized that his creativity was always contingent upon a musical partner, whether that was a skin-and-bones counterpart or an anonymous manifestation that interacted with him through radio waves or...

“Upon examining the eventful life of Can bassist Holger Czukay, one might come to the conclusion that this intrepid musician was a loner. His turbulent career exuded an enduring eccentricity governed by a boundless free spirit. Yet Czukay, who passed away unexpectedly last year at the age of 79, constantly emphasized that his creativity was always contingent upon a musical partner, whether that was a skin-and-bones counterpart or an anonymous manifestation that interacted with him through radio waves or...

“Upon examining the eventful life of Can bassist Holger Czukay, one might come to the conclusion that this intrepid musician was a loner. His turbulent career exuded an enduring eccentricity governed by a boundless free spirit. Yet Czukay, who passed away unexpectedly last year at the age of 79, constantly emphasized that his creativity was always contingent upon a musical partner, whether that was a skin-and-bones counterpart or an anonymous manifestation that interacted with him through radio waves...

"2008 repress. After a couple of poorly-conceived bootlegs, here is the first legit reissue of this 1969 private press release. "First official release of this legendary West Coast psychedelic rarity, packaged in a jewel case, with an 8-page booklet of li

Gatefold, legit reissue of an album recorded in 1969 and originally released by Wolfgang himself in 1970 and then later licensed to and released by Brain in 1972!
The band is:
Wolfgang Dauner-piano, organ, flute
Siegfried Schwabb-guitar
Eberhard Weber-bass, cello
Fred Braceful & Roland Wittich-drums

Proto-kozmigroov, with major psychedelic and soulful moves and great, grooving, double-drumming! Comparable to, and absolutely as good as Brian Auger's work of the same era.

This is the first ever vinyl reissue of this FABULOUS album, originally released in 1972. It's really quite a supergroup of (mostly German) jazz and jazz/rock personnel:
Wolfgang Dauner-keyboards, electronics
Larry Coryell-guitar
Günter Lenz-bass
Jon Hiseman-drums
Fred Braceful-drums

There's a lot of that early fusion sound, but there's also that typical 'out' thang that only the Germans seemed to be able to do. Fans of 70s jazz/rock and also of the more jazz/rock aspec