Cuneiform releases

Cuneiform
"...The Celestial Squid is so special... Here are two of the greats....no, the greatest." – Jim O'Rourke

Guitar summits don't ascend higher than when legendary British free-jazz pioneer and longtime session ace Ray Russell...

"...a mind-bending, eclectic and challenging sonic stream that doesn’t contain even a shred of pretentiousness, but is full of creativity, individuality, expressivity and outside of the box thinking." – Igloo...

Conceived in Paris’s cosmopolitan jazz scene, forged on the road in America, and informed by international currents in electronic music, The Kandinsky Effect is a jazz power trio for the 21st century. Now based in New York City, the band makes...

This Cuneiform title is LONG out of print, but we found a few and can offer them to you at the regular price, while they last! Don't blink and miss it!

This was the third and final release from a wonderful young band who only lasted about 5 years, but who managed to put out 3 unique and charming discs before dissolving.
One of the most frustrating cases of 'signing a band I really liked and thought had a huge potential and who broke up much too soon after their signing'....

"One of the great soprano saxists of all time." – All Music Guide

"...a trombonist of such sweeping power and majesty that he transcends all styles." – New York Times

"It’s tempting to riff on Early and Late’s historical significance, or wax sentimental about how much Lacy is missed; permit me to get concrete and say that this is a really great album, one of the best jazz releases I’ve heard this year." – Bill Meyer/Dusted
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Larval is an avant/progressive rock ensemble led by composer Bill Brovold. Defined by driving guitars, saxes, multiple strings (violin, bass, cello, harp) and percussion, Larvals sound is intense, relentless and savagely hypnotic. The music brings to m...

"...powerful, emotional music that succeeds in establishing their own distinct creative niche. Highly recommended." - All Music Guide

Larval is a avant/post-rock instrumental band consisting of an ever changing lineup of some of the best.

"...it’s beautifully brutal and scintillatingly snarling, an arctic blast of synapse-cleaning, focused, furious racket with some capricious serenity here n’ there. The players: An American-raised Finnish guitarist; a jack-of- all-trades American...

Benedikt Reising – alto saxophone
Marc Stucki – tenor saxophone
Andreas Tschopp – trombone
Marc Unternäher – tuba
Rico Baumann – drums

“...They’re effectively a mini brass band, but with jazz chops and a great sense of humour. They mix old school with the new, referencing everything from New Orleans to Chicago. … A band that must be great to hear live, the sort to get you dancing in the aisles” – Jazz Today ...

"...this Swiss combo mixes it up with the best of them...finds the unexpected and makes it feel like we’ve heard it forever." – New York City Jazz Record...

Sensible Shoes is the fourth album by this London quartet of dual alto saxes, Fender Rhodes & keyboards, bass and drums. It is a cataclysmic offering of jazz-rock, free-jazz, avant-skronk, funk-rock, art-noise and whatever else they can lay their hands on. A tremendously popular act at home in the UK, where they regularly play large-scale festivals and concert halls (as well as playing the typical club gigs that all musicians play), Sensible Shoes is their first recording to be released outside of the UK...

"Led Bib may have managed to retain the same line-up since 2004 but there is nothing jaded about this set." - The Arts Desk

"The Vortex was packed for an appearance by Led Bib...unleash[ing] slabs of new material to a standing-room-only club..." - DownBeat

"...a dynamite live show." - Time Out London

"Splattering you against the wall with their broadsides of punk-jazz"- The Guardian


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"The brilliantly rabble-rousing quintet Led Bib celebrate their tenth anniversary in 2014. To mark this milestone, [they] release The People In Your Neighbourhood...and it's their most assured and very probably their best album to date." – JazzUK

Janel Leppin – Cello, Keyboards
Luke Stewart – Bass
Kim Sator – Harp
Anthony Pirog – Guitar
Larry Ferguson – Drums
Sarah Hughes – Alto Saxophone
Brian Settles – Tenor Saxophone

A composer and cellist who’s honed a singular synthesis of composition, orchestration and improvisation, Janel Leppin is best known as half of the experimental duo Janel and Anthony, which she co-leads with her husband, guitarist...

Larry Ferguson: drums
Luke Stewart: bass
Anthony Pirog: guitar
Sarah Hughes: alto saxophone
Brian Settles: tenor saxophone
Janel Leppin: cello, piano

It is extremely gratifying to work with this superb ensemble, which brings many of the things that *I* personally like best about contemporary music together (composition, performance ability, improvisation, the breaking of musical barriers, etc) because not only does it do all of...

Larry Ferguson: drums
Luke Stewart: bass
Anthony Pirog: guitar
Sarah Hughes: alto saxophone
Brian Settles: tenor saxophone
Janel Leppin: cello, piano

It is extremely gratifying to work with this superb ensemble, which brings many of the things that *I* personally like best about contemporary music together (composition, performance ability, improvisation, the breaking of musical barriers, etc) because not only does it do all of...

"While New Myth/Old Science deliberately avoids any obvious Ra intergalactic tones, it’s joyful enough to make a visitor from Saturn smile." – DownBeat

Co-led by Mike Reed and Jason Adasiewicz, two of the fastest...

This is an extremely high-quality vinyl version of this great album; I gotta say that it came out beautiful! It includes a download coupon for the digital version of the music. Limited edition, one time-only pressing of 500 copies...

Anthony Pirog : guitar, guitar synth, synthesizers
Michael Formanek : 4 & 5 string electric and double bass, guitar
Mike Pride : drumset, marimba, bongos, dub

Listen to Location Location Location’s debut, Damaged Goods, and it’s easy to visualize the three musicians sweating it out in the recording studio, locking in on a groove and just jamming. With, it should be noted, occasional breaks to contemplate the basics, then add subtle overdubs...

Next to Walt Disney, Max Fleischer is the best-known animator of the 20th century, creating and contributing to American culture the one and only Betty Boop. Fleischer Studios also brought the newspaper character Popeye The Sailor and all the characters of that universe to (animated) life.

Guitarist Gary Lucas, whose dauntingly eclectic career encompasses a formative stint with Captain Beefheart, a collaboration with Jeff Buckley very early in Jeff's career and a...

Great second release from this high-energy Japanese instrumental ensemble of soprano and tenor sax, keyboards (mostly electric piano and organ), bass and drums, with guests on guitar and percussion. Their 2003 debut blew the minds of those who were luc...

This title is released in a tiny physical edition of 100 copies!

Nick Macri
- electric and acoustic basses, electronics, percussion

“...combines jagged amplified bass and textural percussion into a boiling haze...gritty electronics with recorded vocalizations as he generates feedback and noise from his amp… melodic yet open-ended. Subtle processing gives certain passages a shimmering nature, with repetitive echoes and pulses touching on minimalism...At only 34 minutes...

"At various moments, the mix suggested nature sounds, urban cacophony, 12-tone compositions and the tuning of radio dial." - Washington Post

"An archeological excavation where whirlpool scratches, microtones and samples of thrift store-mined cheese fly around like poltergeists released from a tomb. - XLR8R

"Some amazing, static-riddled alien music." - Dusted


Start off by dispelling any outmoded notions about taking things at face value; sometimes a...

"Great sound, great artwork - so thanks once again." – Robert Wyatt

Bill MacCormick – bass
Dave MacRae – electric piano
Phil Miller – guitar
Robert Wyatt – drums, vocals


Formed by drummer/vocalist Robert Wyatt after he left the pioneering UK jazz/rock Soft Machine in 1971. The band was exceedingly active for a band that lasted less than one year, recording two albums and playing dozens of shows throughout Europe.
In 2001, Cuneiform released...

"This DVD contains various recordings made during a 16 year span, including live and studio recordings featuring many of my favorite musicians, plus lots of solo drums. I am happy that all of this material is recorded at all. It would have been a shame to set my hair on fire without being able to see it after..." –Morgan Agren

"...influenced by Miles Davis, Frank Zappa, the Mahavishnu Orchestra and Earth Wind & Fire.... the Mats/Morgan men integrate everything and make it their own. – Audiophile...

Keyboardist Mats Öberg and drummer Morgan Ågren have worked together for nearly 3/4s of their lives. Both were childhood prodigies who have grown into adults who are considered absolute masters of their instruments and they have continued...

Swedish duo Mats/Morgan create their own sphere in the transcontinental music scene, a zone wherein progressive rock, jazz-rock fusion, experimental rock, electronica, and progressive pop overlap and intertwine...

Keyboardist Mats Öberg and drummer Morgan Ågren have been playing together since their childhood. They were 'discovered' at a very young age by Frank Zappa and are legendary in their native Sweden and beyond. Trends and Other Diseases is a reissue of...

Live was Mats/Morgan Band's fifth album, the first by the extraordinary expanded lineup of the group (Mats, Eric Carlsson and Robert Elovsson-keyboards, Jimmy Agren-guitar, Tommy Thordsson-bass and Morgan-drums) and the first that I heard by them...

Live was Mats/Morgan Band's fifth album, the first by the extraordinary expanded lineup of the group (Mats, Eric Carlsson and Robert Elovsson-keyboards, Jimmy Agren-guitar, Tommy Thordsson-bass and Morgan-drums) and the first that I heard by them...

Mats Oberg (keyboards) and Morgan Agren (drums) first began playing together 25 years ago (!!) when Mats was 11 and Morgan was 15. Originally very influenced by Frank Zappa, they actually played with Zappa in 1988, but while some of the Zappa influence...

A force on Chicago’s singularly inventive music scene for two decades, cornetist Rob Mazurek has recorded with high profile artists such as Tortoise, Jim O'Rourke, Stereolab, Godspeed You! Black Emperor, and is an intrepid sound explorer...

Return The Tides is a deeply felt tribute and requiem for Rob Mazurek's mother, who died 2 weeks before this recording session. Black Cube SP features Rob's group São Paulo Underground plus additional musicians...

The limited edition vinyl edition comes in a beautiful, gatefold jacket and is pressed on purple vinyl (Rob's mother's favorite color); it's a stunning package!

"I have always thought of the idea of passing as a beautiful thing, in which the soul or life force of the individual is somehow transferred to the immensity and brilliance of the entirety. The idea of Heaven and Hell (and everything inbetween) has always been a hallmark within the limited spectrum of what we humans can come up...

"Mazurek and company channel electric Miles, Sun Ra, and the Art Ensemble of Chicago to make a recording that is cosmic, spiritual, raw, and powerful." – Avant Music News...

This limited edition vinyl version comes in a beautiful, triple-gatefold, hi-gloss, laminated jacket and is pressed on color vinyl; it's a huge and elaborate package, with the incredible artwork of Damon Locks and Sheila Sachs well displayed

Harry Beckett – trumpet
Marc Charig – trumpet
Nick Evans – trombone
Mongezi Feza – trumpet
Malcolm Griffiths – trombone
Chris McGregor – piano
Harry Miller – double bass
Louis Moholo – drums
Mike Osborne – alto sax
Evan Parker – tenor sax
Dudu Pukwana – alto sax
Gary Windo – tenor sax

South African born and raised pianist/bandleader Chris McGregor formed the racially mixed Blue Notes in the early 1960's, touring and trying to get by in extremel

Eclipse at Dawn captures the band at an early peak, performing in front of a huge, rapturous crowd at the Berliner Jazztage on November 4, 1971. Recorded by German radio, this is probably the best live recording of the Brotherhood in existence!...

Phillip Johnston – soprano saxophone
Don Davis – alto saxophone
Mike Hashim – tenor saxophone
Dave Sewelson – baritone saxophone
Joel Forrester – piano
Dave Hofstra – bass
Richard Dworkin – drums
It takes an unusual band to make news out of the blues, and The Microscopic Septet deliver a gripping investigation of the form on Been Up So Long It Looks Like Down to Me: The Micros Play the Blues, which conti

Since its founding in 1980, under the co-leadership and co-compositional duties of soprano saxophonist Phillip Johnston and pianist Joel Forrester, "the Micros" have been "New York's most famous unknown band"; since 1990, the catchy, film noir theme...

Originally active from 1980-1992, the "Micros" started with a basic reeds-and-rhythm texture that was sonically similar to the sound of the Swing Era, but used influences from the entire continuum of jazz. The result was a brilliant blend of fresh...

Voted the #5 jazz group in the 59th Annual DownBeat Critic's Poll.

"They're still the finest retro-futurists around." – The Village Voice

"...they remain one of New York's most distinctive and entertaining groups." – All About Jazz New York

"...splendid fun." – JazzTimes

"...equal parts zaniness and braininess..." – The New Yorker

Active for a dozen years, the Microscopic Septet were widely recognized as "New York's Most Famous Unknown Band." The group started with a basic reeds-and-rhythm texture (soprano, alto, tenor and baritone sax, piano, bass and drums) that was sonically...

Our second release by Piero Milesi, this is a soundtrack to a ‘video opera’ from 1987, in collaboration with composer Daniel Bacalov.
We are very happy to have a vinyl version of this electronic release made available, in collaboration with Soave Records and Daniel Bacalov, for its 30th anniversary!!

“La Camera Astratta is the result of the amazing collaboration between Piero Milesi e Daniel Bacalov with the experimental theatre-performance of the Studio Azzurro and Giorgio Barberio...

''Suspended motion suggests abyssal depths in these soundtrack instrumentals.'' -Keyboard.

Milanese composer Piero Milesi was one of the most prominent Italian artists in the field of electronic minimalism.
After having studied cello, he graduated with a degree in experimental and electronic music composition from the Milan conservatory. He then joined the Gruppo Folk Internazionale entourage and got a degree in architecture with a thesis on the relationship between space and sound...

Piero is an Italian composer who has done a lot of work in the field of film & TV scores. . Lovely, yet also rich musically. This culls the best of his many works for installations & films and shuffles them into a flowing, cohesive album.

Last few copies.

Piero is an Italian composer who has done a lot of work in the field of film & TV scores. The Abstract Room is lovely, yet also rich musically. This is the soundtrack to a large scale dance/performance work. A work that is...

Bassist Harry Miller was born in South Africa, but he was the Brit-jazz bassist throughout the 1970s, playing with John Surman, Centipede, Mike Westbrook, Keith Tippett, Mike Osborne, King Crimson, Julie Tippetts, Alan Skidmore and Chris McGregor's Brotherhood of Breath, among many others, as well as co-founding the legendary Ogun label, which did so much to document the Brit-jazz scene in the 1970s.
Harry's group, Isipingo, which he led for a number of years, could be compared to a smaller-scale...

Originally released in 1991, this was Phil's third solo album.

"Guitarist Phil Miller resides as one of the preeminent exponents of progressive rock, notwithstanding his storied legacy amid the much beloved British Canterbury rock scene....

"The British have a long history of putting the conventions of jazz-rock fusion to better use than their American counterparts do, and guitarist/composer Phil Miller is a case in point. Leading a sextet he calls In Cahoots, Miller offers a solid set of muscular, no-nonsense modern jazz that delivers plenty of intellectual interest without ever descending into navel-gazing solo wankery and without ever sacrificing its powerful groove. True, much of this stuff is most definitely music for musicians...